The concept of beauty has been around for a long time, and it has evolved over time. Philosophers have long associated beauty with the suitability of an object to be used. One of the most prominent examples of this is the ancient hedonist Aristippus of Cyrene, who thought that “everything we use is good”.
Moore argues that “nature is beautiful because it is diverse and regenerates itself.” However, as we live in a changing world, our notion of beauty is also changing. Today’s definitions of beauty are highly subjective, and their intellectual underpinnings often don’t exist. As a result, designers must rethink their role in problem solving and consider whether beauty is about function. It is also important to keep in mind the emotional state of consumers.
The experience of beauty does not reside in the head of the observer; it also connects us with objects. It gives us meaning, satisfaction, and pleasure. It also brings with it a sense of wonder. In other words, beauty evokes a feeling of wonderment, delicious trouble, longing, and love. It can also make us tremble, as the experience is all pleasure. This is not an easy concept to grasp, but it is a powerful metaphor for the human experience of beauty.
Hegel’s view of beauty is radically different from that of Schiller, who equates aesthetics with the experience of art. He describes aesthetic beauty as the path to freedom and spirituality. The same can be said of aesthetic beauty. While the latter is more important than the former, both concepts are intrinsically related to one another. As a result, we can find the perfect balance between aesthetic and spiritual beauty. There is no one definition of beauty that is inherently superior.
